![]() You find adventure when you’re sleeping in a brave new worldīut you don’t see me anymore (no, you don’t) I stand alone (no, you don’t) Your head is full of illusions. All because I’m down (You don’t say us, you don’t say us).Īnd you don’t fool me with your sexy innuendos and all the secrets you hide. (You don’t say us, you don’t say us) Soon, when the night is young, I’ll be old and gone. ![]() I took advantage of a golden opportunity, but you don’t see me anymore (no, you don’t) I stand alone (no, you don’t) Your head is full of illusions. And when I met you, you were standing in the moonlight and your defences were down. And in my situation we go straight to a hotel room.Īnd we take our chances. I’m a victim of circumstance, just like in modern romance. And all you do is torture me and question what I stand for. Like the devil in the deep blue sea, gotta have you and must be free. Your heart is stone.īut you don’t say us anymore (no, you don’t) And the light is gone (no, you don’t) No, you don’t say us anymore, anymore. You find adventure when you’re sleeping in a brave new world.īut you don’t see me anymore (no, you don’t) I stand alone (no, you don’t) Your head is full of illusions. And the jealousy that I felt inside gave way to pure frustration.Īnd you don’t fool me with your sexy innuendos and all the secrets you hide. Try to figure out why you act the way you do, avoiding me, and trying to keep your distance. The promo for the US featured the brothers recording the song in a studio, intercut with various clips of the brothers throughout the years, as well as segments of the original video.Written by: Robin Gibb Maurice Gibb (1985)Īlbum: Robin Gibb: Walls have eyes (1985) The first one, not shown in the United States, featured the brothers singing in a room, intercut with other imagery. Two promotional videos directed by Nick Egan were made for the song. He said, 'They're great you gotta keep the bagpipes.'" - Maurice Gibb We weren't too sure about the bagpipes, but Robin actually persisted. That sort of Byrds type, the 12-string thing going, but we just did it with the bagpipes instead and made it all connect. And I like the idea of being that sort of Beatlesque type of song. I love the line 'I'm on a wheel of fortune with a twist of fate.' Because of the harmony and that chorus, it was like a bit of '50s as well. We just say, 'Let's go that route.' And we'll follow it. We don't actually go in and plan to write a ballad or an R&B song. And BG programmed this groove on the computer. We were sort of set up in the studio here with the three of us just together and I got some bagpipe sounds. I really remember having a good time writing it. ![]() "That was one of the first ones we wrote for the album. the single peaked at #28, making it their final top 40 hit in that country, after being a Billboard "Hot Shot" debut at #34. The track was a big hit worldwide, peaking at #5 in the UK and dominating the charts in Hong Kong, Thailand and Malaysia at #1. The song is a pop ballad written by Barry, Robin and Maurice Gibb recorded in 1996. It is the opening track on the multi-platinum Still Waters album released by the Bee Gees in 1997, and the first single from the album.
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